Beyonce- Single Ladies (Put a Ring On It)

Quality: 4

Clean: 3.5

Genre: R&B, pop

Single Ladies (Put a Ring On It) is Beyonce’s second single from her album I Am Sasha Fierce. On first listen the music and lyrics converge to create an empowering go-girl kind of message. The beats are heavy and strong, as if Beyonce is shaking a finger in your face. Very danceable and fun, the music is also somehow feminine as if not to separate Beyonce’s power from her female-ness. Have you ever seen the 80’s movie Xanadu? There is a moment in the film where Olivia Newton-John emerges from another realm into our human world. All decked out  in crazy 80’s hair and makeup, her power and beauty do not belong on Earth…the same other-worldly 80’s sound effects are in Single Ladies, signifying that Beyonce too is too much for this world. Lyrics also reinforce the message. I love the way the song begins. Beyonce calls out: All the Single Ladies, all the single ladies, saying: Step UP!! Be strong, you are strong! The chorus is also great: If you like it then you shoulda put a ring on it…oh oh oh oh oh oh oh oh oh oh, telling all the dead-beat boyfriends in the world that there will be no more taking advantage, no more wasting of time. That all the single ladies are not going to be satisfied with less than what is deserved, which of course is the love, respect and commitment that an engagement/wedding ring symbolizes. I like this message. I wish more of my single friends would not compromise for a man. I wish they knew that they are beautiful and capable without one and that they are worth waiting for. They don’t need to change who they are when they meet someone, nor do they need to lower their standards. I love Beyonce for this message.

On consecutive listens however I start hearing other parts to the lyrics. Imagine the situation: you’ve been with a guy for three years, but instead of him proposing like you had hoped, he dumps you. Of course you are devastated and cry your eyes out. But now you are starting to recover and need some validation. Are you really worthless like he said?  So you go clubbing with your girlfriends. You dress to kill and receive lots of attention from the men-folk. They think you are hot and it feels good. So you dance with provocatively with them, and you receive the attention you wanted. Your ex is even there and he’s jealous because he knows you look good. This feels even better. Your confidence is restored and you feel like a woman again.

My problem with the picture painted above is that confidence is restored not because of the content of her character but because of her body.  Every woman wants to know that she is beautiful but it should not be the source of her total self-worth. When the first thing men notice about you is your body, they sometimes aren’t interested in getting to know the rest of you. They may spend time with you but they are really spending time with your body. Beyonce even underscores this when she sings, “if you like it then you shoulda put a ring on it.” Why didn’t she use the word “me”? because she was referring to her body. This might have been the problem with her prior boyfriend.

Overall I think this song is fine. Its catchy and the message is mostly positive but the details are a little shady.

Lyrics:

All the Single Ladies, all the single ladies
Now put your hands up

Up in the club, just broke up
I’m doing my own little thing
Decided to dip, now you gonna trip, another brother noticed me
I’m up on him, he up on me, don’t pay him any attention
Cause I cried my tears, gave him three good years, can’t be mad at me

If you like it then you shoulda put a ring on it…oh oh oh oh oh oh oh oh oh oh
Don’t be mad once you see that he want it
If you like it then you shoulda put a ring on it…oh oh oh oh oh oh oh oh oh oh

I got gloss on my lips
A man on my hips
Got me tighter in my Dereon jeans
Acting up, breaking my cup
I can care less what you think
I need no permission, did I mention, don’t pay him any attention
Cause you had your turn, now you gonna learn, what it really feels like to miss me

If you like it then you shoulda put a ring on it (repeat)
Don’t be mad once you see that he want it

Don’t treat me to these things of the world
I’m not that kinda girl
Your love is what I prefer, what I deserve
Here’s a man that makes me, then takes me, and delivers me to a destiny to infinity and beyond
Pull me into your arms
Say I’m the one you want
If you don’t then, you’ll be alone, and like a ghost I’ll be gone

All the Single Ladies, all the single ladies
Now put your hands up
Oh oh oh oh oh oh oh oh oh oh oh
If you like it then you shoulda put a ring on it
Don’t be mad when you see that he want it
If you like it then you shoulda put a ring on it

Owl City- Fireflies

Quality: 3.5

Clean: 4

Genre: electronic, bubblegum synth-pop

I heard Fireflies on the radio which seemed a little out of place. Living in a somewhat rural area, all of the radio stations are either Country, Christian or Ryan Seacrest. Ryan of course only plays the most popular, never anything different or interesting.  You know how it goes: mostly R&B, some Miley, Lady Gaga and once in a while a generic alternative song.  Owl City doesn’t fit those molds.  Electronic beats, and lyrics not about dancing or baby-making, I found the song refreshing. Given, I haven’t been up with the latest Indie releases, I haven’t prowled the internet for interesting and new music for about ten months. My music canvas has been mostly blank so Fireflies was like an invitation to listen to music again.

The lyrics are cute, puzzling and peppy. Falling asleep, or not being able to, and that funny line between the two states of being where reality is blurred seems to be the topic, though it is not clear. Although I’m not exactly sure what he is talking about, I don’t mind because its different and unexpected.

You would not believe your eyes if ten-million fireflies lit up the world as I fell asleep,
Cause they fill the open air, and leave tear drops everywhere,
You’d think me rude but I would just stand and stare.
I’d like to make myself believe that planet Earth turns slowly,
Its hard to say that I’d rather stay awake when I’m asleep,
Cause everything is never as it seems.
Cause I’d get a thousand hugs from ten-thousand lightning bugs as they try to teach me how to dance,
A fox-trot above my head, a sock-hop beneath my bed,
A disco ball is just hanging by a thread.
I’d like to make myself believe that planet Earth turns slowly,
Its hard to say I’d rather stay awake when I’m asleep,
Cause everything is never as it seems.
Leave my door open just a crack (please take me away from here)
Cause I feel like such an insomniac (please take me away from here)
Why do I tire of counting sheep (please take me away from here)
When I’m far too tired to fall sleep.
Ten-thousand fireflies, I’m weird cause I hate good-byes,
I got misty eyes when they said farewell.
But I’ll know where several are, if my dreams get real bizarre,
Cause I saved a few, and I keep them in a jar.

The music is crackly and beepy with simple bass and a little bit of piano and strings–nice and uncomplicated yet not so basic that its just a loop played over and over. Owl City is just one dude, Adam Young, who’s voice sounds a bit like Postal Service, as does the music itself. Yet Fireflies is more bubblegum and less crafted than Postal Service. Fireflies sounds as if Adam composed the song himself in his basement and recorded it purely for fun, without over-analyzing. In fact the internet-lore is just that: living in his parents’ basement he couldn’t sleep, so he wrote and recorded this song. He became popular via Myspace and now it has escalated to a radio hit. That’s how it ended up on Ryan Seacrest’s station.

The criticism of Owl City is that 1. it sounds too much like Postal Service and is therefore unoriginal, and 2. he’s not Christian enough. I guess I don’t mind that it sounds like Postal Service. Its different enough for me that it isn’t in the same category. Postal Service is actual good quality music with style and meaning, while Owl City is just for fun, silly and all smiles. As for criticism #2…I didn’t know O.C was supposed to be Christian. I go back and forth between the whole Christian-band-sounding-Christian-enough thing.  Perhaps if I had the entire album, I’d feel the same way I did about Family Force Five, that it was too much fun to be fun. But, for now I just like the song Fireflies for what it is.  I enjoy listening to lyrics about something different and positive for once (unlike the rest of Ryan Seacrest radio Lady Gaga gag gag).

Links: Official site (you can listen to the song here), Myspace, Owl City hater review

Bon Iver- For Emma, Forever Ago

Quality: 5

Clean: 3

Genre: art-folk, indie

I’m a bit late. For Emma, Forever Ago, was released last year, February 2008. Not to mention that last week Bon Iver released a new EP, Blood Bank. But after hearing NPR’s unabashed applause for Emma, I decided I couldn’t skip it just to be with the times.

Bon Iver is pronounced Bon EEvar, French-ish for “good winter.”  Not just a pseudonym for Justin Vernon, the vocalist and composer of the songs, the name is also for the band and for the spirit of the album. “It’s more of a sentiment that I’m trying to attach to what we do musically, as a group and as a project,” he says. “That sentiment being one of, I don’t know, geographical reference. And us being from where we come from, I think that’s who we are. And we are who we are because of where we come from.”

Holed up in a northern Wisconsin cabin in the dead of winter, Justin Vernon wrote the collective of songs in a two month period . There, he confronted his demons. He says: “everyone kind of builds up negative energy in their life, and for me, it just built up a little too long. And I think I went up there to really fix myself. That’s what it was kind of about for me.”

For Emma, is beautifully produced with warm instrumentals. Acoustic guitar is central, but there are highlights of base and electric guitar, snare drum, whistling, brass and others. Unlike so many other indie artists, the instruments aren’t there just because, but they add to the story of each song, producing their own perfectly crafted artistic affect. Justin’s voice is another instrument, sung in falsetto, it communicates an other-worldly and choir-like feeling. One song, Wolves, surprisingly uses Auto-tune, however it doesn’t sound out of place or pretentious on this organic album. Instead, the emptiness of the computer-generated voice perfectly emphasizes the lifeless love sung  about.

The album is minimal and stark. Somehow though, after listening to it over and over, I am not dragged down into hopeless despair. The music is cathartic, as if listening to it I have worked out some of my own issues. NPR’s article expressed of Skinny Love perfectly what I was thinking of the entire project: “But as dark as it gets, the song, with its unforgettable steel-guitar hook, is too gorgeous to function as a true downer.” Written in winter, the album embodies the season by capturing the mood of foggy skies and desolate snow-scapes.

How else can I describe the sound of Bon Iver? There are elements of Arcade Fire, Cold Play, Smashing Pumpkins, Antony & the Johnsons, and James Taylor, but, Bon Iver is something all its own. Listen to him yourself and see.

For a Clean rating, I give the album a 3. Most of the time I can’t understand the words, or I catch a few here and there but not an entire song. If I look up the words on some lyrics website, I find that they are quite sad. Skinny Love, sounds like a suicide letter. Other songs are vague, about land, loss, cold. Good poetry, for sure. The music is what carries this album, and its ok that the words are unclear. Similar to Son Lux, the words are the accompaniment, not the star.

Listen to Flume on NPR’s media player. Scroll down to the bottom of the article. The first song is Flume. Click on “Listen.” The media player will pop up in a separate window and will begin to play.

Links: boniver.org, NPR’s interview

Storm, Lifehouse

Quality: 4

Clean: 5

Genre: rock

A friend pointed out to me the song Storm by Lifehouse the other day. The lyrics are poignant, conveying that horrible disorienting sense of being utterly lost. There is also hope however, because the lyrics insist that “if I could just see you, everything will be alright, if I’d see you, the storminess will turn to light.” Whether searching for a lifeline, or knowing there is one and waiting for it to come, having hope or looking forward something better can make a huge difference in the midst or our sufferings.

The story of Jesus walking on the water comes to mind. Especially when Peter walks on it too, and then gets scared and starts to sink below the waves. Jesus then catches him. Maybe Lifehouse was using this story as a metaphor, or maybe just the water itself was the metaphor, but without the story. Either way, it is effective.

Psalm 130 comes to my mind when I listen to Storm. Perhaps because I have had my small portion of sufferings and have clung to these words. Listening to Storm, reminds me of those times. Perhaps also because when I am suffering, no one I know, can truly provide me with the peace that I need. No matter how good a relationship I have with a friend, mentor or significant other, I have to handle my trouble alone. There is one exception. The Lord comforts me and walks with me. He gives true hope. Not just hope that I will feel better, but hope that indeed “everything will be all right,” because he redeems my life. He changes it. He renews it. When I pray, he is with me, the best friend that only he can be. Psalm 130 reads:

Out of the depths I cry to you O Lord!
O Lord hear my voice!
Let your ears be attentive to the voice of my pleas for mercy!

If you, O Lord, should mark iniquities,
O Lord, who could stand?
But with you there is forgiveness,
that you may be feared.
I wait for the Lord, my soul waits and in his word I hope;
my soul waits for the Lord
more than the watchmen for the morning,
more than the watchmen for the morning.

O Israel, hope in the Lord!
For with the Lord there is steadfast love,
and with him is plentiful redemption.
And he will redeem Israel from all his iniquities.

Here are the lyrics to Storm. Listen to the song and read the lyrics together.

How long have I
been in this storm
so overwhelmed by the ocean’s shapeless form
water’s getting harder to tread
with these waves crashing over my head

If I could just see you
everything will be alright
if I’d see you
this darkness turn to light

And I will walk on water
and you will catch me if I fall
and I will get lost into your eyes
and everything will be alright
and everything will be alright

I know you didn’t
bring me out here to drown
so why am I ten feet under and upside down
barely surviving has become my purpose
cause I’m so used to living underneath the surface

If I could just see you
everything will be alright
if I see you
the storminess will turn to light

And I will walk on water
and you will catch me if I fall
and I will get lost into your eyes
and everything will be alright

And I will walk on water
you will catch me if I fall
and I will get lost into your eyes
and everything will be alright
I know everything is alright
everything’s alright

Other Best Of 2008 Lists

I’m a bit behind, but yesterday I finally perused Pitchfork’s best of 2008 list. Going through the best albums list, at first I felt extremely out of it and old because I had only heard of a had full of the bands.  On the best song list, there are little snippets of some you can listen to on the website. After a few, I had had enough. I was thoroughly annoyed. Sheesh! I only liked a few of the songs and this was supposed to be their BEST of the year. Most of them sounded amateur, undeveloped, generic, and vocally poor. There were a few that I could appreciate/respect, but this was the exception.  I finally and reluctantly came to the conclusion, that Pitchfork can be pretentious. It felt like a relief. I read their reviews because they are known for their witty and sometimes sarcastic opinions plus the fact that they focus on indie or at least lesser known artists. But I can’t think of one artist that I have discovered and loved through Pitchfork. Also, some of the songs, names of artists, words in the reviews etc. can be unclean. This is not a website to send your five year old to check out.

Quality: 2

Clean: 2.5

This morning I decided to listen to NPR’s All Songs Considered year in review. They didn’t let me down. Listening to their radio show from December 8th via the internet, was a pleasure. There were four critics, endeeringly nerdy, funny, and unpretentious, who each shared their favorite new artists, biggest surprises, and favorite songs of the year. I wrote down several artists and songs to check into later. Because it was played on the radio, the show was clean. Son Lux was even featured as one of the best new artists of the year (29 minutes in), making me very excited and like a fellow music nerd.

Quality: 4.5

Clean: 4

Family Force 5- Dance or Die

Quality: 3

Clean: 4

Genre: rock, electronic, pop

There is a Christian radio station in town that primarily plays alternative and hard rock music. I try to listen to it because I want to get to know more Christian music, and I feel like I should try to support a radio station that is at least trying to play good music. The problem is that most of the music sounds the same and I don’t even like it all that much. Consequently, whenever I hear a song that is remotely different or interesting, I try to find out more about it. I heard Fever once and had to look it up. It was different from most other songs on this station because it had electronic elements- the vocals are synthesized- and you know I am a sucker for electronic elements.

Dance or Die is Family Force 5’s second album. Their first was heavier, like Linkin Park, or Rage Against the Machine. Dance or Die is more like a throw back to 80’s synth pop, mixed together with music like The Killers and other such indie/punk music.  When I listened to the songs on their myspace page, I liked, but didn’t love them. I didn’t want to give up though, because I’m always trying to support Christian bands that are different/interesting/don’t sound the same as all the bands/at least good. So I cruised over to Christianity Today’s music review website (which is actually pretty good). The review basically said the album was too much about fun and didn’t have enough substance either lyrically or musically to carry it. I quickly dismissed the review as being written by old people and bought the album.

I frequently wish there was more music out there, without swears or innuendos, that was fun just for fun’s sake. Fun music doesn’t have to mean anything, it can just be fun. I’m not sure if I’ve changed my mind or not, but the pure lack of substance on this album got on my nerves after a while. The lyrics are just silly. For example, Fever, is about a um, fever, that is well, burning up…”somebody call the New York Times, this fever’s gonna make the headlines.” What does that even mean? Actually, I wouldn’t mind it if there was at least one or two songs with some heft to them, but every song is silly,and meaningless. There are some lyrics that made me think: While listening to D-I-E 4 Y-O-U, I wondered if the song was about Christ, you know the whole dying thing and all…or perhaps even a martyr being willing to die for Christ…but there is nothing in the lyrics to suggest such an interpretation. If the band wasn’t signed to a Christian label I wouldn’t have even thought twice. Another song, How in the World, is a pretty sweet love song, that could be interpreted to be written to Christ, but again, there is nothing in the lyrics to suggest such an interpretation. In fact, there is nothing on the entire album to suggest that this band is “Christian.”

I’m breaking my own rules, because I usually think that a band or album should be taken for what it is, on its own terms, and not for what we think it should be or what it was expected to be. Dance or Die, is supposed to be fun. That was the one and only objective and in that, it succeeded. Also, because they are “Christian” the album is free of swears and innuendos. I should be happy and move on.

I’m not happy. I have to agree that Christianity Today’s review was right on. A single song can be fun, but an entire album should have balance. There should be other songs to bring out a theme, or to remind us why Family Force 5 claim to be Christians, or even that they have emotions. Dance or Die, is one of those albums with two good songs, and the rest sounds too much the same to palate all at once.

Fever:

How in the World:

Best of 2008

I’ve kind of taken a break from the blog for the past month. I like listening to cheesy Christmas music which doesn’t necessarily warrant reviews. This year I enjoyed two new Christmas albums (new to me, they were both 2007 releases): Jars of Clay’s Christmas Songs, and Mindy Smith’s My Holiday. All this to say, I don’t have any new reviews at the moment, and my music budget is spent for a few weeks…But I always like to do a year-end review. So here I have my favorite albums and songs of 2008:

Best albums of 2008:

1. Son Lux, At War with Walls and Mazes

By far my favorite album of the year.

2. Lecrae, Rebel

Christian rap was introduced to me for the first time this year and it changed my perspective on music.

3. Kanye West, 808s and Heartbreaks

Despite the criticism West received for this album and even my own hesitations, it remains tops in my mind for its unconventional yet accessible attitude and sound.

4. Cold Play, Viva la Vida, or Death and all His Friends

5. Nothing stands out. I could put the Twilight soundtrack, or Fireflight’s Unbreakable, but while they are good…they just don’t stick out in my mind. I guess I only have a top 4.

Best Songs of 2008:

1. Black is the Color (DJQ’s Club Edit),  2Devine vs Cara Dillon

This might seem random to you unless you know me in real life. It is just a silly techno song remix but I loooove it and listened to it constantly since I found it. Black is the Color of my True Love’s Hair is an old Scottish folk song. Many singers have covered it and in this version, Cara Dillon, an Irish folk singer, does the honors. I don’t know if Cara and 2Devine made a deal or if 2Devine just took a copy and remixed it with beats. Either way it is an unlikely combination, folk singing and techno, but somehow it works and is beautiful.

2. Son Lux, Wither

3. Chris Brown, Forever

Again, this might seem like a surprise unless you know me in real life. I just love how innocent, dancy, poppy and romantic it sounds. 

4. Lecrae feat. Sho Baraka, Live Free

5. Blue Foundation, Eyes on Fire

On the Twilight soundtrack. Perfectly melancholy and chilling. (myspace)

Honorable Mention: Oceanlab, On a Good Day, Kanye West, Love Lockdown, and Lecrae, Rebel Intro

If I had unlimited money and time I would have gotten around to listening to/reviewing :

1. Girl Talk, Feed the Animals (myspace)

2. Apparat, Walls, (listen for free)

3. Thievery Corporation, Radio Retaliation (myspace)

Kanye West- 808s and Heartbreaks

Quality: 4

Clean: 3

Genre: r&b, electronic, pop

I hesitated to post this review here. You might be wondering what Kanye West is doing on a quality and clean blog. It would be like adding a review of one of Madonna’s albums- it almost doesn’t matter what the the content of their music is because their reputations are both so um carnal. Kanye has a reputation for his trash talking bravado, materialistic yet dapper fashion sense and possessing an appetite for causing and basking in controversy. Then there is the way he generally raps about women, similar to other rappers, he treats them like possessions to chalk up on his tally sheet. Kanye is a very talented beat-maker and rapper, consequently he rose to fame quickly. Maybe this is why he has such a big ego, or maybe that is just part of every rappers persona.

Actually what caused me to purchase and then decide to add a review to this blog was the contrast between Kanye’s reputation and the content of 808’s and Heartbreaks. When Love Lockdown came out I was it was not what I had expected. Stylistically and lyrically, Kanye West’s fourth album, is very very different from his past three. The name of the album lays bare the musical and lyrical themes. 808s is a reference to the analogue synthesizer the early 1980’s. It has a characteristically “hollow/tinny” sound which smoothly contributes to the lyrical theme of heartbreak. Instead of rapping, Kanye sings throughout the entire album causing the songs to feel more heartfelt. Instead of the light-hearted, feel-good tempo if his past albums, Heartbreaks is melancholy to its core. The instrumentation is sparse, minimalistic and lonely instead of fully layered and well fed. In the past Kanye has been a little different from other rappers, his production is richly layered and contributes to the message of his songs instead of just background looping. He heavily relies on his favorite tool, auto-tune, as well as as other electronic devices (ie. the electronic voice in Stronger) and uses live instrumentation (actual cello, piano, woodwinds and choirs). Heartbreaks keeps auto-tune as a faithful friend but disposes with the heavy layered devices. There are a few live instruments (including a lovely choir in the first track), but musically the themes are raw percussion with 808 sounding synthesizer beeps and shallow melodies that sound like they came straight from a midi or cheap home-Casio piano.

Lyrically, Kanye’s past songs have been full of bragging how good and easy and full of material possessions his life is. In contrast, Heartbreaks delves into the emptiness of his life, how material possessions mean little  and making lasting positive relationships with women is difficult if not impossible for him. The song that best displays the “emptiness” theme is Welcome to Heartbreak. The lyrics are rich with contrast between the “good life” and his own:

My friend showed me pictures of his kids, and all I could show him was pictures of my cribs.
He said his daughter got a brand new report card, and all I got was a brand new sports car.
Dad crack a joke all the kids laughed, but I couldn’t hear em all the way in first class.
Chased the good life my whole life long, look back on my life and my gone…where did I go wrong?

Kanye’s mother died shortly before he began work on the album. The genuine yet not necessarily romantic heartbreak and grieving portrayed on the album fits with this kind of rift, the kind that rocks you to your core, the kind the death of a mother to a young person (Kanye is only 31) can cause.

The lyrics to several songs give off vibes of a desire for change, yet he is a bit like Peter Petrelli in the T.V. show Heroes. No matter how hard he tries to do what he thinks is right and even to fix past mistakes, he just makes things worse. I can see a man like Kanye deciding to find a real relationship, maybe even invest more in the one he already has. Yet, all he has trained himself to do thus far is treat women shallowly and create relationships based on appearances. One song, RoboCop, reveals the one-sided conversation of a dysfunctional romantic fight, first laying all the blame on the other party, then sarcastically making fun of and putting down that party. He wants to change over night but most people can’t do that. Kanye’s descriptions of the inner workings of his romantic relationships (in the songs, and who knows if they are autobiographical or just songs) reveal a desire for intimacy but a lack in compassion and patience. Perhaps these qualities will develop in time and then he will find and develop a loving lasting relationship, but for now he is caught in the middle; wanting to be someone he isn’t.

I’m fascinated by songs in the main-stream that describe yearning for eternal significance. To me it shows that no one is completely shallow and we all have the same needs at our core. I also know that anyone can change but not everyone does. To me this album shows that universal struggle: “For I do not do what I want, but I do the very thing that I hate.” (Romans 7:21).

As an adult it is fun for me to analyze music with contrasting and unexpected images. However, If I had children between the ages of 5 and 15 I might not have purchased this album (perhaps they would be oblivious at a younger age?). It could send a mixed message to them, and they might not be mature enough to filter the bad from the good. None of the songs have swears but they do portray dysfunctional relationships and talking enigmatically about one’s sordid past. Also, unfortunately, we cannot separate the singer and his image from his music. Kanye is not the type of person I would want to put on display or admire around my young children. With older children however, I think that talking and analyzing media such as this would be very healthy. Teenager’s minds are developing the ability to think through complicated issues with contrasting messages. Parents and teachers are in the role to help teach them discernement in recognizing good and evil instead of just cool and uncool.  I think it can be complicated and I am sure I know people who would not go near this album and others who would go to a concert with their children. Here is a situation that is very gray. Also I do not have children so I can only think about and speculate what I would do. Perhaps I would act entirely different.

Love Lockdown:

Welcome to Heartbreak:

Sufijan Stevens, Songs for Christmas

I wrote this review last year on Christmas Eve for my now languishing livejournal account. Keep in mind this Sufijan Stevens’ Christmas album came out two years ago. I find however that Christmas albums keep their relevance longer than other albums. Christmas introduces more universal themes that make older music mre palatable than other music of similar age. I plan on excavating my Christmas music collection now that Thanksgiving is over and playing it ad-nauseum until Christmas is a few weeks past (until Epiphany?). I love Christmas music and somehow my standard of quality is adjusted…a few notches lower…not sure why. I decided not to give a point value for quality and clean for this album. I reviewed it last year and also I don’t quite trust my quality radar when it comes to Christmas music.

“I didn’t buy this Christmas album last year when it came out even though its rave review on NPR piqued my interest. Songs for Christmas is a monster box set which includes 5 discs and extensive liner notes. Over the course of five years Sufijan had recorded at home these discs which he then sent out to friends and family as Christmas gifts. He also used them as “Christmas therapy” for himself

“I had never heard of Sufijan until last year and a huge box set seemed like a big commitment. This year however, I craved serious Christmas music to an extent that listening to jingle bells and deck the halls laden secular christmas compilations (which I seem to have collected over the years) didn’t do it for me. Plastic Santas, candy canes, and good ol’ american consumerism made me want to puke. I NEEDED to listen to music about Jesus, why do we celebrate Christmas, whats the point etc… The only music that I could stomach was Rebecca St. James’ CD from 1997 or so. Some would say, even for a Christian artist, her music is too “religious” but it was perfect for me. I discovered the carol, O Come O Come Emmanual, anew this year because of her. The words speak of a dark cloud of sin looming over us that is only dispersed with the news of Jesus’ birth and death on the cross. This was perfect for my candy-induced nausea–yet I wanted something new as well.

“Sufijan Stevens is an indie artist and sounds like an indie artist. To me, he sounds like a solo-artist non-band version of Arcade Fire and Polyphonic Spree. They all have that scruffy indie-orchestral aesthetic, lushly layered and optimistic but also paying tribute to the overwhelmingly depressing aspects of life. Josh (my husband) hates this type of music, but I can enjoy it when its not bad.

“All five discs together, present a wonderful mix of traditional Christmas hymns, Sufijan’s own Christmas creations and even a couple of just plain hymns (Amazing Grace and O Come Thou Font). Musically and lyrically the box set is varied and diverse. Among the many themes he explores are, the joy of Jesus’ birth, the giddy fun of consumerism, family strife, coming together in spite of family strife and winter cold.  As many instruments as could be found in his house were included. Upbeat, serious, sparse and luscious sounds make the album shine. I am not surprised to find out that Sufijan is a Christian, yet he is not obnoxiously so. It comes out because it is part of who he is, not because he is trying to “send a message.” In fact he wasn’t trying to send a message at all. Possessing an “inherent aversion to the standard Christmas carol” he embarked on the project in the beginning as an exercise to make himself “appreciate” Christmas more. In his liner notes he expresses that the experiment must have worked. This compilation is magnificent and honest.”

links:
review on pitchfork
what his website has to say about it

Son Lux, At War with Walls and Mazes

Quality: 5

Clean: 5

Genre: electronic, alternative

So far, At War with Walls and Mazes is my favorite album of 2008. It is a perfect blend of all my favorite components of music. My husband makes fun of me that the music I like is always the same, all containing electronic blips and glitches (bjork, psapp, Imogene Heap). Son Lux has these electronic sounds that I like but they are blended into an ornate tapestry. Son Lux’s use of electronics to make music reminds me of when you go into a cathedral at just the right time of day when the sun is shining through the stained glass windows and all the glints and glares reflect off the icons and the cross and make the room feel rich and perfect and holy. Son Lux also incorporates a wide variety of classical instrumentation: piano, strings, flute, an operatic background voice, acoustic guitar. Its not just that he uses these instruments, but he does so in a very classically trained way. As if he is fusing symphonic orchestra music with modern electronics. I am reminded of a rock opera such as Andrew Lloyd Webber’s Requiem (see the song Hosanna).

I classify Son Lux as “electronic” not to be confused with “dance” music. The album does not have a happy poppy feel and is not danceable. Rather, it feels thoughtful, forceful at times, maybe even morose.

Son Lux’s lyrics continue in the cathedral theme: they are brief and simple and repeated over and over like a meditation or mantra. Sometimes the lyrics hint at scriptural references, sometimes of powerful experiences such as betrayal and reconciliation. They get me thinking not about what he means (like Coldplay did), but of what associations they bring to my mind. Son Lux’s lyrics are powerful and demonstrate poetic skill. Perhaps the most interesting lyrics are for the song Weapons:

Put down all your weapons,
let me in through your open wounds

Son Lux is not signed with a “Christian” label and I would not label him as a “Christian” artist…but you know by now that I don’t like that label anyway. He reminds me in a way, of Johnny Cash: their lyrics only let out little hints of a profound belief. I like not knowing, and being able to let the mystery be itself.

Whereas Break is the song put forward by the label to promote the album, my favorite songs from the album are Wither and Betray.

Break lyrics: Where have all the wicked gone?
Is there no one left to break you down?
Where have all the holy gone?
Is there no one to condemn you?

Where have all the wicked gone?
Is there no one to condemn you?
Where have all the holy gone?
Is there no one else to break you down?

links: myspace, anticon records, pitchfork review